Rimimiraira: the name is synonymous with captivating synth sounds and a rapidly growing fanbase. Since discovering their love for synthesizers in 2020, this artist has built a career around original compositions and dynamic arrangements, all while leveraging the power of social media. Their 2022 tour across major Japanese cities solidified their place as a rising star. In this interview, we explore their unique approach to music, their creative process, and the vision driving their success.
When did you start composing, and what sparked your interest in music production and synthesizers?
I’ve played classical piano since I was four years old, and when I joined the light music club in high school and began creating original songs, I discovered my love for composing—but what truly drew me to synthesizers was my lifelong obsession with Nintendo game music and Yasutaka Nakata’s work, which sparked a fascination with how those iconic sounds were crafted.
Could you walk us through your musical journey from 2020 to now?
My musical journey began with classical piano lessons at age four, continued through exploring composition in my high school’s light music club, and culminated in studying DTM (desktop music) at vocational school, laying the foundation for my journey into music production.”
What were the key milestones and challenges you faced?
I’m not naturally tech-savvy, so technical tasks (like software or equipment setup) have always been a struggle. Even now, I’m still learning how to program drums and basslines since my foundation is classical.
Who are your key musical influences, and how do they shape your work?
Artists like Nintendo’s game music composers, Yasutaka Nakata, and film score creators have deeply shaped my work—though I don’t intentionally mimic their styles, I’m intrigued by how their sounds seep subconsciously into my music, as if my compositions absorb fragments of what resonates with me in their art.
You emphasize synthesizers in your work. Can you elaborate on your approach to composing with them?
I initially used synths to create game-inspired tracks, but lately I’ve shifted toward piano-driven music because of its popularity. Still, I love how synths let me experiment with textures—tiny shifts in frequency can transform a sound. Unlike piano, synths allow me to layer sounds, tweak dynamics, and balance elements in ways that feel almost sculptural.
How do you create your synth-driven music, from concept to completion?
While my older work leaned heavily on synths, I’ve since shifted toward chasing sounds that feel meant for a moment—like ‘this texture fits here’ or ‘that riff doesn’t click’—almost as if certain tones exist only for their destined track. My music digs into raw, unfiltered emotions—the messy heart of life—often inspired by novels, anime, or stories that spark my lyrics. As for production? I wing it! I’ll tweak knobs randomly, muttering ‘maybe this works?’ or ‘nope, trash that’ until something magically clicks. It’s chaotic, but that’s how my songs find their soul.
What stood out from your 2022 Tokyo/Nagoya/Osaka tour, and what tested you?
I’m not actively performing now, but my goal remains the same: sharing my music with as many people as possible. Back then, I obsessed over what makes live shows unique—collaborating with dancers, playing solos, creating live-only soundscapes. But honestly? I’m shy onstage. Spotlights stress me out, even though performing is fun deep down.
What’s your long-term vision as a musician, and what emotions do you hope your music carries to listeners?
I want my music to resonate with people, no matter the format. I’d love to compose for films, idols, or other artists. Lately, I’ve even dreamed of forming a band or unit—something where creativity feels shared and limitless.
Please check RIMIMI RAIRA’s out work by clicking here.
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